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    Necessary connections: “Feelings photographs” in criminal justice research

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    Accepted manuscript (751.1Kb)
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    Publication date
    2020
    Author
    Rogers, Chrissie
    Keyword
    Learning difficulties
    Mental health
    Criminal justice
    Autism
    Mothering
    Prisons
    Visual methods
    Photo-elicitation
    Life stories
    Photovoice
    Rights
    © 2020 SAGE. Open Access, published under licence: Creative Commons by Attribution Non-Commercial (CC BY-NC) http://creativecommons.org/licenses/by-nc/4.0/
    Peer-Reviewed
    Yes
    
    Metadata
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    Abstract
    Visual representations of prisons and their inmates are common in the news and social media, with stories about riots, squalor, drugs, selfharm and suicide hitting the headlines. Prisoners’ families are left to worry about the implications of such events on their kin, while those incarcerated and less able to understand social cues, norms and rules, are vulnerable to deteriorating mental health at best, to death at worst. As part of the life-story method in my research with offenders who are on the autism spectrum, have mental health problems and/or have learning difficulties, and prisoner’s mothers, I asked participants to take photographs, reflecting upon their experiences. Photographs in this case, were primarily used to help respondents consider and articulate their feelings in follow-up interviews. Notably, seeing (and imagining) is often how we make a connection to something (object or feeling), or someone (relationships), such that images in fiction, news/social media, drama, art, film and photographs can shape the way people think and behave – indeed feel about things and people. Images and representations ought to be taken seriously in researching social life, as how we interpret photographs, paintings, stories and television shows is based on our own imaginings, biography, culture and history. Therefore, we look at and process an image before words escape, by ‘seeing’ and imagining. How my participants and I ‘collaborate’ in doing visual methods and then how we make meaning of the photographs in storying their feelings, is insightful. As it is, I wanted to enable my participants to make and create their own stories via their photographs and narratives, whilst connecting to them, along with my own interpretation and subjectivities.
    URI
    http://hdl.handle.net/10454/16828
    Version
    Accepted manuscript
    Citation
    Rogers C (2020) Necessary connections: “Feelings photographs” in criminal justice research. Methodological Innovations. 13(2).
    Link to publisher’s version
    https://doi.org/10.1177%2F2059799120925255
    Type
    Article
    Collections
    Social Sciences Publications

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