Browsing Social Sciences Publications by Subject "Aesthetics"
Now showing items 1-2 of 2
A Dialogical approach to experience-based inquiryThe aim of this article is to describe a dialogical approach to inquiry that differs somewhat from those that are now influential in psychology, including Shotter's, Wertsch's, Hermans's and Hicks¿s. Although these authors have very usefully drawn attention to dialogical approaches to understanding experience, the academic style of their writing underplays their own responsivity as participants in these dialogues. Whereas some adopt an authoritative or Magistral genre in reporting dialogue with participants, others adopt an explicitly Socratic dialogue that nonetheless tends towards monologue. We suggest that these ambiguities and paradoxes can be traced to Dilthey and Gadamer and the debate associated with their work about the relative weight to be given to content and experience in interpreting dialogue. Furthermore, we use Bakhtin's classification of genres of dialogue to argue for the benefits of a Menippean genre of dialogue, based on imagination and ethics, both as a corrective to the tendency to monologue in Socratic and Magistral dialogues and as a contribution to our understanding of the possibilities inherent in dialogical inquiry. In particular, Menippean dialogue points us in the direction of inquiry as a personal and creative act that places voices (including the authorial voice) in contact with each other with the capacity to enrich and change each other.
Metamorphosis from exalted person to cultural symbol: A case study of the GOAT in tennisIn this article, we suggest that our semiotic understanding of embodiment could be expanded to include a socially exalted individual who embodies a symbol. To illustrate this argument, we draw on an ongoing research project that examines fandom rhetoric and debates around the ‘Greatest of all time’ or the GOAT symbol in Tennis. Grounding Bakhtin’s tri-distinctions of identity, I-for-myself, I-for-other, other-for-me, in a Kantian hermeneutic tradition, we perform a theoretically informed analysis of the GOAT debate. Neither of the three components exists in isolation, rather, they interact in a reflexive dialogue which continually shapes and re-shapes individual consciousness and experiences of embodiment. We apply a ‘Romanticism aesthetic activity’ analytical framework to the tri-distinctions of identity, that consists of ‘creative’ and ‘critical’ rhetoric, within which we found genres of ‘myth,’ ‘art,’ and ‘science.’ Each genre functions, through disparate means to exalt or metamorphise an individual (our focus is on Roger Federer) into a cultural symbol, and that the symbolic form of GOAT reflexively organises the emotional field and identities for those fans deeply invested in it. This paper contributes to the current cultural psychological literature on understanding the mediation of people to symbols in a new digital age.