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    'Defragmenting the portrait': Catalina Clara Ramírez De Guzman, extremadura's No Conocida Señora of the golden age. A critical multidisciplinary reappraisal of the work of Catalina Clara Ramírez de Guzmán (Llerena, 1618-c.1684)

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    Publication date
    2010-09-01T15:44:54Z
    Author
    McLaughlin, Karl P.
    Supervisor
    White, Anne M.
    Price, Munro
    Gregory, James R.T.E.
    Keyword
    Seventeenth century
    Extremadura
    Burlesque
    Occasional poetry
    Female authors
    Feminism
    Pintura poetry
    Catalina Clara Ramírez de Guzmán
    Rights
    Creative Commons License
    The University of Bradford theses are licenced under a Creative Commons Licence.
    Institution
    University of Bradford
    Department
    Department of Languages and European Studies
    Awarded
    2010
    
    Metadata
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    Abstract
    Modern critical works on the seventeenth-century Extremaduran author Catalina Clara Ramírez de Guzmán are sparse, with the exception of recent interest manifested by a small group of feminist scholars in the United States. Apart from intermittent mentions of her poetry, she is virtually unknown among British Hispanists. This thesis seeks to fill many existing gaps in knowledge on her by providing a broader critical assessment of her surviving poetry than has been available thus far, particularly by situating it and its author within their historical, literary and social contexts and drawing thematic and stylistic analogies with works by other authors, male and female. Part I will concentrate primarily on historical aspects. It will establish the reputation enjoyed by the poet in her day and review references to her work in modern critical literature. It will also provide a detailed reconstruction of the poet¿s family antecedents and discuss the evidence of a literary community in her home city during the period in which she was active as a writer. Part II will focus on the poetry itself, specifically a consideration of the thematic content of a broad representative selection of Ramírez de Guzmán¿s verses, which were not published until nearly two centuries after her death, and an examination of her interaction with the genres of occasional verse, verse portraiture and burlesque and satirical poetry, all of which will be discussed against the background of their respective traditions.
    URI
    http://hdl.handle.net/10454/4428
    Type
    Thesis
    Qualification name
    PhD
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    Theses

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