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    Shockumentary Evidence: the perverse politics of the mondo film.

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    Publication date
    2006
    Author
    Goodall, Mark D.
    Keyword
    World cinema
    Politics
    Film culture
    Mondo films
    Shockumentary films
    Peer-Reviewed
    Yes
    
    Metadata
    Show full item record
    Abstract
    With films such as Crouching Tiger, Hidden Dragon (2000), Oldboy (2003), Goodbye Lenin! (2003) and The Motorcycle Diaries (2004), the state and popularity of world cinema has rarely been healthier. Through 16 chapters contributed by leading international film scholars, including Dudley Andrew, Lucia Nagib and Michael Chanan, Remapping World Cinema: Identity, Culture and Politics in Film explores many of the key critical and theoretical approaches and debates to this fluid and ever-increasing field of study, including race, stardom, post-colonialism as well as national cinemas¿ relationship with Hollywood. Covering a broad scope, this collection examines the cinemas of Europe, East Asia, India, Africa and Latin America. It will thus be of interest to scholars and students of film studies, cultural studies and post-colonial studies, as well as to film enthusiasts keen to explore a wider range of world cinema.
    URI
    http://hdl.handle.net/10454/3397
    Version
    No full-text available in the repository
    Citation
    Goodall, M.D. (2006). Shockumentary Evidence: the perverse politics of the mondo film. In: Lim, S.H. and Dennison, S.(Eds.) Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower Press.
    Link to publisher’s version
    http://www.wallflowerpress.co.uk/product/film-media/remapping-world-cinema
    Type
    Book chapter
    Collections
    Engineering and Informatics Publications

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