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dc.contributor.authorWhite, Anne M.*
dc.date.accessioned2009-08-05T08:00:04Z
dc.date.available2009-08-05T08:00:04Z
dc.date.issued2003
dc.identifier.citationWhite, A.M. (2003). Seeing Double? The Remaking of A Amenábar's Abre Los Ojos as Cameron Crowe's Vanilla Sky. International Journal of Iberian Studies. Vol. 15, No. 3, pp. 187-196.en
dc.identifier.urihttp://hdl.handle.net/10454/3210
dc.descriptionNoen
dc.description.abstractThis article begins by examining in general terms the remaking of European films by Hollywood and considers the reasons for the growth in this cultural phenomenon. It goes onto argue that analysis of this process has much to tell us about intertextuality: how texts are read and transformed. Focusing on Vanilla Sky (US 2002), the Hollywood remake by Cameron Crowe of Alejandro Amenábar's film, Abre los ojos (Spain 1997), it explores the similarities and differences between the two films. In addition, it also considers the extent to which a filmic remake like Vanilla Sky might be read as a self-conscious reflection on the processes which are at the very heart of intertextuality as we understand it.en
dc.language.isoenen
dc.relation.isreferencedbyhttp://dx.doi.org/10.1386/ijis.15.3.187en
dc.subjectIntertextuality remakesen
dc.subjectAlejandro Amenábaren
dc.subjectAbre los ojosen
dc.subjectCameron Croween
dc.subjectVanilla Skyen
dc.titleSeeing Double? The Remaking of A Amenábar's Abre Los Ojos as Cameron Crowe's Vanilla Sky.en
dc.status.refereedYesen
dc.typeArticleen
dc.type.versionnot applicable paperen


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