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    Discourses of Power and Representation in British Broadcasting Corporation Documentary Practices: 1999-2013

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    PhD Thesis (1.780Mb)
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    Publication date
    2018
    Author
    Thornton, Karen D.
    Supervisor
    Not named
    Keyword
    Television
    Documentary
    Spectacle
    British Broadcasting Corporation (BBC)
    Remediation
    Representation
    Reality
    Power
    Emotional connection
    Audience engagement
    Rights
    Creative Commons License
    The University of Bradford theses are licenced under a Creative Commons Licence.
    Institution
    University of Bradford
    Department
    Faculty of Engineering and Informatics
    Awarded
    2018
    
    Metadata
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    Abstract
    This dissertation re-evaluates the ways in which contemporary television documentary practices engage their audience. Bringing together historical frameworks, and using them to analyse a range of examples not considered together within this context previously, the main finding is that the use of spectacle to engage the audience into a visceral response cuts across all of the examples analysed, regardless of the subject matter being explored. Drawing on a media archaeological approach, the dissertation draws parallels with the way in which pre-cinema engaged an audience where the primary point of engagement came from the image itself, rather than a narrative. Within a documentary context, which is generally understood as a genre which is there to educate or inform an audience, the primacy of spectacle calls for a re-evaluation of the form and function of documentary itself. Are twenty-first century documentary practices manufacturing an emotional connection to engage the audience over attempting to persuade with reasoning and logic? The answer contained within this dissertation is that they are.
    URI
    http://hdl.handle.net/10454/18364
    Type
    Thesis
    Qualification name
    PhD
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    Theses

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