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    The Three Winds of Albert Lamorisse

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    Goodall_Mise-en-scene.pdf (7.201Mb)
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    Publication date
    2018
    Author
    Goodall, Mark D.
    Keyword
    Albert Lamorisse
    French post-war cinema
    Poetics of cinema
    Wind
    Rights
    This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. https://creativecommons.org/licenses/by-nc-sa/4.0/
    Peer-Reviewed
    Yes
    
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    Abstract
    This text discusses the films of French director Albert Lamorisse in relation to the poetics of cinema. It focuses on three of Lamorisse’s films, Crin Blanc (1953), Le Ballon Rouge (1956) and Le Vent des Amoureux (1978), in order to examine his fascination with wind, a force of nature, due to its invisibility, that is virtually impossible to capture on film. Certain French theorists, however, have tried to explain the power of the wind, most notably Gaston Bachelard, whose works are quoted here as part of the analysis, while a few distinguished filmmakers, such as Joris Ivens and Andrei Tarkovsky, have used wind in interesting ways. But only Lamorisse had what could be described as a sustained obsession. Despite early success (the great French film theorist André Bazin was praiseworthy about his short films), Lamorisse has been somewhat neglected in recent years. Thus, this essay highlights the unique skills of a ‘forgotten man’ of French post-war cinema.
    URI
    http://hdl.handle.net/10454/16886
    Version
    Published version
    Citation
    Goodall M (2018) The Three Winds of Albert Lamorisse. Mise-en-scene: The Journal of Film & Visual Narration. 3(2): 33-44.
    Link to publisher’s version
    https://journals.sfu.ca/msq/msq/index.php/msq/article/view/104/pdf_1
    Type
    Article
    Collections
    Engineering and Informatics Publications

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