Behind film performance in China’s changing institutional context: the impact of signals
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Publication date
2017-03Keyword
China; Signaling theory; Institutions; Film performance; Enhanced format films; Imported filmsRights
© The Author(s) 2017. This article is published with open access at Springerlink.com. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.Peer-Reviewed
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